![]() This can be done intuitively and quickly on the fly using just four global buttons, or, if you want to go into the tiny details, using the voice-based tuning trimpots to refine it. Once all classic parameters are set you can start refining the character of the whole system by using all the many voice based detuning features which can make the synth sound completely pissed off with a lot of detunings going on up to clean and precise to capture the sound of later more behaved analog synths. Its morphable state variable multimode filter offering switchable 12/24db slope and switchable self oscillation allows to achieve almost any thinkable color since everything including the modes is seamlessly blendable.īut where others stop this synth only begins. It's flexible voice engine featuring a separate pannable mono synth for each voice allows to include or exclude any voice of choice which can make it a Matrix-12 like polyphonic monster synth, a classic four voice synth or even a simple innocent mono synth. Dependent on the settings it can sound close to an Oberheim, a Jupiter-8, a Prophet-5 or even a Minimoog. Check the audioclips above to get an impression of its huge variety. ![]() The synth is supercharged with features inspred by a wide variety of classic analog synths and so it isn't limited to emulating only one specific synth. ![]() Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12. ![]() OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas. ![]()
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